Framed Art Is The Paper Backing Important

6) The acid-free protective backing board and then the dustcover – usually a brown or black kraft paper to help seal out dust and insects. 7) Do not use hammer-in style bumpers on the back of the frame as their application can cause vibrations that could shake loose some pastel dust.

Framed art is the paper backing important. With full-sheet, 400-pound watercolor paper, on the other hand, you'll want to use a much heavier hinging paper. Japanese papers like to be "wet torn" to make feathered edges that increase the bond strength and help hide the edge of the hinge. This is especially important if the art is very thin or translucent. The Cheap Framed Art of course (Target, Homegoods, etc) Needle Nose Pliers; Staple Remover; Art Mounting Tape; Measuring Tape; Pencil/Eraser; I began by carefully peeling back the backing paper from the bottom up (this was held in place with double sided tape). If you get a few nicks or tears, no need to worry (the back won’t be seen). Kimberly Nichols is a paper conservator who has worked for the Art Institute of Chicago and the Museum of Fine Arts, Boston. She received her Master of Arts and certificate of advanced study in art conservation from Buffalo State College in New York. Debora Wood is an independent curator and specialist in prints and drawings, formerly of the Art Institute of Chicago, Northwestern University. Composed of high resolution acid-free UV-protected paper, 12-color pigment ink, glass, wooden frame, black craft paper backing, and metal sawtooth hangers. Overall: 25.13'' H x 18.13'' W x 1.13'' D Overall Product Weight: 8lb.

Shipping a framed print? We recommend a custom cut One Panel Fold (OPF) corrugated box. Their custom nature makes them perfect framed art shipping boxes. If the print is fragile, made with any glass or ceramic, consider using picture packing supplies like GreenWrap, tissue paper, corrugated bubble, or packaging paper to protect your print. In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass.Putting mats in a frame is called matting, a term which can also usually be used interchangeably with mat. Once you have them all placed, peel the paper backing from the tape. Line up the print to the frame backer and then with clean hands, apply pressure around the edges to secure the print to the frame backer. Once secure, pop it back into the frame and enjoy your beautiful newly framed print! Finalise the back of your artwork on canvas panel so that it looks neat and presentable.If you’ve experimented with paint on canvas panel and loved it, but it looks a little sloppy, then this is a way to make the back just as pretty as the front!. Finishing the back of your artwork will make you more happy and willing to share your art with others.

Recently had some art in our shop that was framed in Japan. The backing was a black fabric, probably cotton. It was carefully fitted (followed the contours of liner and frame with carefull folds) and glued in place - looked fine! The hanging "wire" was also fabric - knited, like an expensive shoe lace. Sealing the backing board to the auxiliary support is an important step, especially in the Canadian climate (Figure 2). Using foam stripping between the backing board and the auxiliary support is one method of reducing air leakage and creating a beneficial micro-environment between the canvas back and the backing board. The black, removable backing of the frame is called “fibreboard” In the back of most frames, there’s a removable part that you take out in order to place a photo or print inside the frame. This removable “frame backing” is usually made of something called “fibreboard” (it’s like thick cardboard). Advice for Framing Art, Documents, Letters, Photographs and Other Paper Items. The method used in framing a piece of paper, whether a letter, document, work of art or photograph, can have a significant effect on the preservation of that item. Several i mportant choices must be made that will effect its longevity. These

How do you treat the back of a framed work on paper? The backing board, which is often simply acid-free foam board, is all I use for the back of the framed piece. I attach a paper label—with the painting’s title, inventory number, year created and my signature—to it with double-stick tape. If art was framed using non-acid-free materials, gently remove the art if possible and store it in a cool, dry, dark place until it can be reframed with acid-free framing. Removing the acidic frame, mat and backing paper will help prevent further damage. Mat boards also provide a border between the art and the frame to draw the viewer’s eye to the piece. When framing – especially art on paper – it’s important to ensure the backing, mount and mat (or spacing) are made of materials with low acid levels so the artwork doesn’t deteriorate over time. Cherry Blossoms is a soft pastels drawing framed with a double mat: gold/ light beige and a golden frame. The colors of the mats and frame pick up on warm colors in the drawing. How to frame art: video #4. In this video I recorded the basic process of mounting a photo onto backing and finding the right mat for it.